Kinsley interprets Bagalamukhi as "she that has the confront of a crane". Bagalamukhi is rarely depicted with a crane-head or with cranes. Kinsley thinks which the crane's behaviour of standing still to catch prey is reflective of the occult powers bestowed from the goddess.[5] By meditating on her picture and https://freekundli98642.blog-ezine.com/32721271/the-best-side-of-baglamukhi